by whiteray
There’s a house. If it’s real, it’s in an older neighborhood, one that was home to factory workers about a hundred years ago. When I stand on the wooden back steps and look at the sidewalk at the end of the plain dirt driveway, I sense the footprints of tired men walking home.
The house is tan, the window frames dark brown, and the paint is flaking badly. I turn to the back door and climb the steps to a small back porch, then turn left and enter the kitchen. The old linoleum crackles under my tread. I know this place, can sense the faint aromas of hundreds of meals: chicken, maybe chops, and almost certainly some favorites from an old country left behind.
A plain table with two chairs is ahead of me on the left as I enter, next to the window that overlooks the driveway. The kitchen appliances are somewhere to my right. They’re indistinct, but I know that like the paint outside and the linoleum underfoot, they are old.
There is a doorway beyond the table, and there is light in the room beyond the doorway. I hear the murmur of voices, perhaps conversation or maybe a radio. Through the doorway, I see the shape of a chair, perhaps a sofa, and just beyond, there is a flicker of movement and maybe the sound of footsteps.
And I see no more. The dream, one I’ve had dozens of times over the years, ends there as I stand by the table in the kitchen, looking into the next room with its yellowish light and its murmurs and its shadows. If that house exists, I do not know where it is, and yet, I’ve been there time and again.
Here’s “Theme From
A Dream” by the Larry Page Orchestra. It’s a tune written and first
recorded by Chet Atkins. Page’s version was first released on his orchestra’s
1970 album, Bridge Over Troubled Water.
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